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Steve Brodner
Steve Brodner (born October 19, 1954 in Brooklyn, New York) is a satirical illustrator and caricaturist working for publications in the US since the 1970s. He is accepted in the fields of journalism and the graphic arts as a master of the editorial idiom. Currently a regular contributor to GQ, The Nation, Newsweek, Washington Post, Los Angeles Times, Brodner's art journalism has appeared in most major magazines and newspapers in the United States, such as Rolling Stone, The New York Times, The New Yorker, Esquire, Time, Playboy, Mother Jones, Harper's, Mother Jones, The Atlantic. His work, first widely seen exposing and attacking Reagan-era scandals, is credited with helping spearhead the 1980s revival of pointed and entertaining graphic commentary in the US. He is currently working on a book about the presidents of the United States.
Brodner attended Cooper Union, in New York City and graduated in 1976 with a Bachelor of Fine Arts Degree. Brodner went on to work briefly for the ''Hudson Dispatch'' in Hudson County, NJ after leaving college. Between 1979 and 1982 he self-published the ''New York Illustrated News''. which featured his work as well as those of colleagues. In 1977, he began his freelance career with The New York Times Book Review, working with Steven Heller, art director. Soon he was working with Lewis Lapham and Sheila Wolfe at Harper's on a monthly page of commentary entitled Ars Politica.
In the following year he became a regular contributor to magazines across the US, eventually becoming house artist as well as writer and artist of monthly back pages for ''Esquire'' under the editorships of Lee Eisenberg (author), David Hirshey and the designer, Rip Georges. During and after ''Esquire'' it was on to ''Spy Magazine'' and then to ''The New Yorker'', under Tina Brown and then David Remnick, Chris Curry, Caroline Maihot and Françoise Mouly, art directors. At ''Rolling Stone'', under Jann Wenner and Amid Capesi, art director, Brodner was the film review artist, working with Peter Travers, and later a series for National Affairs page with Matt Taibbi and others.
==Art journalism==
In visual essays, Steve Brodner has covered eight national political conventions for ''Esquire'', ''The Progressive'', ''The Village Voice'' and others. His article "Plowed Under," a series of portraits and interviews with beleaguered farm families in the Midwest, ran in ''The Progressive'', which, at that time was a modern mecca for political art, thanks to Patrick J. B. Flynn, crusading art director. ''Shots From Guns'', an art documentary about the Colt Firearms strike in Hartford, Connecticut, appeared in ''Northeast'' magazine in 1989. For ''The New Yorker'' he covered Oliver North and the 1994 Virginia Senate race, the Patrick Buchanan presidential campaign, the Million Man March (1995) and an advance story on the 1996 Democratic Convention in Chicago. That same year, ''The Washington Post'' asked him to profile the Bob Dole presidential campaign. In spring of 1997 he wrote and drew a ten-page article on the South by Southwest Music Festival for ''Texas Monthly''. That summer, Brodner climbed Mount Fuji with author Susan Orlean as an art-journalist for ''Outside Magazine''〔((Deadlink) )〕 and later that year he did a piece on the New York City mayoral campaign for ''New York Magazine''. His eight-page profile of George W. Bush appeared in ''Esquire'' in October 1998, in which Bush said to him, “Maybe I’ll see you in national politics next year, maybe not. Either way, I have a cool life.” In 2000, he dealt with the difficult issue of guns in Pennsylvania for ''Philadelphia Magazine''. ''Texas Monthly'' published his 10-page story on Colonias (Mexican Americans along the Texas border), called "In America," in May 2005 and in 2007 he traversed the Texas State House at Austin in a freewheeling story for ''Texas Monthly''.
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